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The Museum of Modern Arts was created by the Diputació of Tarragona in 1976
with the purpose of preserving and showing its artistic patrimony.
The Diputació collections were actually started at the beginning of the
sixties, upon acquiring all the works by the sculptor Julio Antonio that
had been kept by his sisters. From that time on, and with the advic of
Lluís M. Saumells, director of the School of Arts of Tarragona other
collections were purchased, namely those by the sculptors Santiago Costa i
Vaqué, Salvador Martorell i Ollé and the painter Josep Sancho i Piqué.
Since 1943, yearly at first, and biyearly later on, the Diputació awarded
the Julio Antonio Prize of Sculpture and the Josep Tapiró Prize od Painting,
eeping the winnimh works. Some of them were kept as deposits in other
institutions, and, at one time, some were sold for reasons unknown. All in
all, and for the most part, the winning works have been displayed in the
Diputació premises. In 1976, and following the moving of the Workshop and
School of Arts From Santa Anna St. to its new location in Sant Pere
Sescelades, part of the Casa Martí, the previous seat of the school was
made aviable.
The Martí House
This building, in its present shape is the result of the union of three
ancient houses of the Old Town. The fist one having once belonged to the
Jesuit College of the Holy Kings was seized by the Crown of Spain following
their expelling from the country in 1767. It was finally purchased by
Antoniop Martí i Gatell in 1772 from the local committe in charge of
liquidating the estate of that religious order in Tarragona. After several
improvements, the new owner set residence in 1781.
Antonio Martí i Franquès,
the illustrious scientist from Altafulla also lived here from 1798 until
his death in 1832. In the 19th. century, Gaietà Martí i Veciana, the
grandson of Martí i Gatell, purchased two neighbouring houses and started
at once with the enlargement and refurbishment of the original residence.
The works were completed by the early sixties of the last century.
As from 1976, and utilizing the aviable space in the house, the first steps were
taken towards the creation of a new Mueum. In the first place, an inventory
was needed of the most important items was made, and finally, they were put
on display.
Due to lack of spcace, the permanent exihitions area was too
small, although a number of temporary exhibitions were held, which
eventually helped get the Museum closer to the general public. In 1983 the
Diputació acquired the building of Santa Ana St. and appointed architect
Jaume Mutlló to its refurbishment.
Photographic Archives
The first set of pictures to be included in the archives was that made on
behalf of the Diputació in 1929 by the photographers Pere Català i Pic and
Hermenegild Vallvé i Vilallonga, for the International Exposition of
Barcelona of that year, and displayed in the "Spanish Monuments" section.
Later on, other sets were recovered, that had been presented to the
Diputació in the sixties and seventies.
The archives grew steadily from
that moment on, both through purchased and donation. In 1989, a collection
of daguerrotypes and three hundred glas plates were included as
deposits.
Library
Since its fundation it has specialised in the field of Catalan Arts of the
XIX and XX th. centuries. In addition to its own stock of books, efforts
have been mada in order to recover all the catalogues of the National Fine
Arts of Barcelona.
It also accounts for a significant number of Fine Arts
magazines, both from the present times and from the last years of the
XIX th. century and early XX th.
The Museum of Modern Arts, in close
connetion with today's artistic feelings, has created a Documentary Fund,
mostly derivating from the Plastic Arts that have been promoted by the
Diputació. It also produces its own publication by means of which it aims
to the difussion not only of its own funds but also the creations of
today's artists.
Finally, and in co-operation with ohter institutions,
it organizes temporary exhibitions both in order to recover our closest
visual heritage as well as towards the future that the contemporary artists
are already creating through their work. |